In 2018, fans filled the Hollywood Bowl with anticipation, believing it to be the final chapter in Paul Simon’s illustrious career as he embarked on his “Homeward Bound — Farewell Tour.”
At 83 years old, and after a remarkable half-century on stage, Simon felt it was time to say goodbye.
However, to the delight of his followers and music lovers alike, Simon surprised everyone by announcing a new album in 2023, titled “Seven Psalms,” which reflects the wisdom and depth acquired over his extensive career.
The album serves as an evocative exploration of life, merging spiritual themes with intricate guitar melodies.
Along with the album, Simon is also touring once more, including a highly anticipated five-night run at Disney Concert Hall.
For many in Los Angeles, these performances represented a significant opportunity to reconnect with Paul Simon and his profound musical legacy.
The last show at Disney Hall showcased Simon in remarkable form, proving that his passion for live performance still burns brightly.
With a set that began with a full presentation of “Seven Psalms,” the audience experienced a beautifully woven song cycle that provided an intimate farewell.
The album’s music resonates with the same profound insights often associated with other iconic artists, such as David Bowie and Johnny Cash, showcasing Simon’s late-career reflection in a deeply moving way.
Simon’s lyrics from songs like “Love Is Like a Braid” explored themes of life’s ups and downs with poignant contemplation: “I lived a life of pleasant sorrows, until the real deal came.”
The depth of his reflection continued as Simon and his band, a mix of percussionists, woodwind players, and guitarists, infused richness into the performance, adding subtle layers of sound to the already profound material.
After a contemplative start, the mood shifted as Simon dove into the bluesy “My Professional Opinion,” exuding a playful energy while maintaining a strong emotional connection in songs like “Trail of Volcanoes” and “Your Forgiveness.”
In a moment of vulnerability, Simon sang, “Two billion heart beats and out / Waving the flag in the last parade / I have my reasons to doubt.” This line, along with his poetic images of life’s challenges, left a lasting impression on the audience.
The latter half of the concert brought a lively atmosphere, as audience members responded eagerly to the more familiar hits.
Uncharacteristically, a fan threw a $20 bill on stage, prompting Simon to humorously agree to play a verse of “Kodachrome,” which showcased the ease and warmth of his relationship with fans.
Simon’s performance of “Graceland” and “Under African Skies” reminded the audience of his continued curiosity and exploration of diverse musical genres, linking those past experiences to the current global music scene.
During this segment, Simon acknowledged bassist Bakithi Kumalo, the last remaining member of the original “Graceland” ensemble.
The emotional atmosphere of the concert was heightened with the elegant delivery of classics like “Slip Slidin’ Away” and the poignant “The Late Great Johnny Ace,” which tackled themes of tragedy in rock ‘n’ roll, drawing parallels to societal collapse.
Though Simon only referenced assassinations from decades past in his performances, the weight of current events lingered heavily in the air.
A dynamic segment featured veteran drummer Steve Gadd contributing his jazzy rhythms to “50 Ways to Leave Your Lover,” elevating the performance to new heights.
Following this energetic interlude, a heartfelt rendition of “St. Judy’s Comet” was delivered, emphasizing the significance of fatherhood, alongside a surprise appearance by his wife, Edie Brickell, who added a magical touch to “Me and Julio Down by the Schoolyard” with her signature whistling.
The set transitioned into an exploration of tracks from “The Rhythm of the Saints,” including the expressive “Spirit Voices” and the complex layers of “The Cool, Cool River,” showcasing Simon’s remarkable musicianship and lyrical prowess.
Although iconic songs like “Bridge Over Troubled Water” and “You Can Call Me Al” were absent from the setlist, the concert concluded with a solitary performance of “The Sound of Silence.”
Simon’s mastery on guitar shone brightly as he played through the iconic song’s instrumental sections, and his gratitude was evident as he reflected on the unexpected continuation of his performing journey.
As the evening came to a close, attendees were left wondering if this truly was Paul Simon’s final bow in Los Angeles.
Regardless, what transpired on Wednesday night served as a heartfelt benediction to one of America’s most revered songwriters.
For those who had not yet experienced Simon live, any future opportunity to see him perform must not be missed.
image source from：latimes
