The acclaimed stage production of “Harry Potter and the Cursed Child” is currently captivating audiences in D.C. at The National Theatre, following successful runs in Chicago and Los Angeles. This show has not only become a Broadway hit but is also a part of one of the highest-grossing franchises in film history, which includes seven books and eight movies documenting the adventures of the beloved wizard.
Originally debuting in 2018, the play won six Tony Awards, including Best Play, and stretched over five hours and 15 minutes across two parts. However, a revitalized version was introduced in 2021, condensing the performance into a single piece that was 90 minutes shorter than the original.
The touring version now playing in D.C. has seen an additional reduction of 30 minutes, facilitating a fast-paced narrative filled with twists, much like the original story from the books. The enchanting effects and theatrical magic, including instant costume changes and breathtaking feats of flight, add a visual spectacle that keeps the audience engaged.
Despite not being a die-hard Harry Potter enthusiast, the stage adaptation offers an enjoyable experience. Newcomers may find themselves grappling with an intricate plot that is delivered at a rapid pace, complete with the distinctive British accents that could initially pose a challenge.
The program provided to attendees lacks a synopsis, and even the cast listing includes a spoiler alert, underscoring the importance of experiencing the play without prior knowledge of the tale. The artistic value of “Cursed Child” lies in its originality; it does not simply condense the established narrative but instead presents a new story that continues and expands the saga.
The narrative follows Albus Potter, the son of a now middle-aged Harry Potter, as he embarks on his own journey at Hogwarts. His experience at the renowned school is marred by the expectations that come with his father’s legacy, compounded by the fact that he is sorted into Slytherin, the house associated with his father’s rival, Draco Malfoy.
Albus forms a bond with Scorpius Malfoy, leading to a series of adventures complicated by the tenets of teen rebellion and father-son tensions. Although the plot could be deemed overwhelming with numerous twists, the audience remains thoroughly captivated by the unfolding narrative.
Noteworthy moments in the play allow for revisiting legendary characters, as Albus and Scorpius utilize a Time-Turner to travel back in time. This introduces figures such as Dumbledore and Snape back onto the stage, played by Larry Yando, who brings a sense of gravitas to his roles among a youthful cast.
The introduction of Voldemort adds another layer of complexity to the story, delivering a continuous thrill as these young characters navigate their perilous twists and turns. However, the rapid-fire pacing and frequent shifts in focus may render certain parts convoluted, testing the patience of the audience.
Longtime fans revel in moments that may elude the less familiar, with subtle references eliciting recognition and chuckles. The performance is anchored by strong portrayals from John Skelley as Harry Potter and Emmet Smith as Albus Potter, alongside Aidan Close as Scorpius Malfoy, who brings a vibrant energy to the character.
An implied romantic connection between Albus and Scorpius introduces fresh dynamics that may surprise even the original author, J.K. Rowling.
While the plethora of special effects and elaborate staging, including scenes supported by swirling dances and innovative set designs, creates a visual feast, it can also feel excessive at times. The show occasionally teeters on the edge of being overly ornate, especially given the substantial narrative weight it carries.
Nevertheless, the production maintains its charm, and audiences leave with a sense of connection to the cherished franchise. Questions linger regarding how this particular staging won a Tony for Best Play, particularly in light of its occasionally verbose and hurried dialogue, and the emotional resonance of the father-son themes that can feel heavy-handed at times.
For many attendees, the performance serves as a perfect bridge between the past and present, weaving together the myriad experiences stemming from earlier books, films, and the adjacent Wizarding World. The excitement around the expansive Harry Potter universe will undoubtedly continue, especially with an HBO series in production set for release in 2027, coinciding with the 30th anniversary of the original book’s debut.
Running time: Three hours and 15 minutes with one 20-minute intermission.
Photo credit: Photo by Matthew Murphy.
image source from：broadwayworld
