In an exciting addition to the fantasy genre, author Omer is making waves with her debut novel, “The Gryphon King.” Drawing on her rich heritage as Iraqi Turkmen and Kurdish, Omer infuses the narrative with unique Turkic myths and cultural elements that set her story apart from conventional fantasy literature.
Omer’s journey into speculative fiction marks her as a significant new voice in the literary landscape. While her novel is situated in an imaginary world, she placed great importance on research to ensure that elements of the story resonate with realism.
“There were things that I didn’t want to be taken from certain cultures or time periods because I was blending them and trying to create something new,” she explained. However, she also recognizes the need for creative freedom, particularly when implementing plot devices such as blood transfusions. Omer’s imaginative interpretation includes the use of animal parts and natural materials, stating, “It sounds so unhygienic, but I’m sure it probably wouldn’t kill you,” with a touch of humor.
Within her narrative, Omer combines logical and playful storytelling techniques, which form the backbone of her novel. Her respect for the cultures of Southwest Asia and North Africa is reflected in the religious systems and naming conventions found in her work, which showcases her desire to bring broader cultural understanding into the fantasy genre.
“I like the idea of fantasy being a way to lead into real-world understanding,” Omer noted. “There are a lot of different fantasy stories out there, and they’re deserving of your attention.” Her ambitions go beyond mere entertainment; she aims to inspire readers to delve into unfamiliar histories through her work.
To further enhance the immersive experience of her imagined world, Omer collaborated with artists who share her cultural background. Character concept art by Turkish illustrator Ender Coşkun, along with map designs crafted by her brother, artist Allen Omer, add vivid visual elements to the narrative, providing another layer of depth to the storytelling.
Omer’s literary roots are firmly planted in the vibrant metro Atlanta community, where she has built her career. Currently a graduate student and teaching assistant at Kennesaw State University, Omer also served as an editor for various local publications, experiences that have nurtured her understanding of the literary world. Her early role at Peachtree Publishing Co. was particularly formative, introducing her to the intricacies of publishing and shaping her aspirations.
“Peachtree was my first experience with anything related to publishing,” Omer recalled. “To be able to sit in on those acquisition meetings and talk to editors was so informative. At that time, I thought I was just going to be an editor. I didn’t realize I wanted to be a writer quite as strongly.”
Although she is now dedicated to fiction writing, the encouragement and resources available through Atlanta’s thriving independent book scene have equipped Omer with the confidence necessary to pursue her writing dreams. The abundance of around 30 independent bookstores in the area allows for grassroots literary events, including excerpt readings, book signings, and engaging panel discussions, fostering a rich community of writers and readers.
This community support not only empowers Omer to write freely, but also encourages her to eschew conventional genre tropes. In “The Gryphon King,” she introduces familiar fantasy motifs such as royalty, mythical beasts, and magic, while delving into deeper topics such as grief, political unrest, and moral ambiguity.
“Can you find escapism in really dark content?” Omer pondered. “I don’t know. But I think it’s worth asking.”
With her debut novel, Omer hopes to open the door to a new wave of culturally diverse fantasy literature that both entertains and educates. Discussing her literary influences, she actively promotes emerging authors, highlighting works like “Firstborn of the Sun” by Marvellous Michael Anson, a Yoruba-inspired fantasy, as well as Hadeer Elsbai’s Egyptian-inspired series “The Weavers of Alamaxa,” which she finds particularly timely.
Omer remains optimistic about the future of literary culture in Atlanta. “I don’t know if I’m just biased because I live here,” she said, “but there’s a lot of opportunities in this city.” As a new author establishing her literary presence in the South, Omer is not only crafting her future but also contributing to Atlanta’s growing reputation as a burgeoning publishing hub.
With a dedication to diversity and authenticity in storytelling, Omer’s work is set to resonate with readers seeking more than mere diversion in their fantasy narratives.
image source from：ajc
