This month at Performance Works NW, an exciting dialogue about Portland’s rich dance history is set to unfold over bagels and coffee.
As part of the Mycelium Dreams: the PASTfuture Long-Form Archival Conversation Series, Portland dance artist Linda K. Johnson will engage in thought-provoking conversation with Barry Johnson, a prominent editor and arts journalist, on June 8.
For 14 years, Barry Johnson has been a source of inspiration and mentorship for many, including myself, here at Oregon ArtsWatch.
His remarkable journey in the realms of dance writing and arts journalism began in 1978, shortly after he relocated to Seattle.
At the Bumbershoot festival, he stumbled upon a performance by the iconic Merce Cunningham.
This seemingly simple moment, watching Cunningham’s solo act titled 50 Looks, left an indelible mark on Barry Johnson’s understanding of dance.
He reflected on his fascination as Cunningham gracefully traversed the stage, chair in hand, articulating the unique essence of dance without music, leaving Johnson captivated yet bewildered.
The intrigue spurred by Cunningham’s performance propelled him on an unexpected trajectory into the dance community.
In his role as the advertising manager at the Seattle Sun, a chance encounter with a dancer seeking to place a classified ad would change the course of his life.
After assisting her, she invited him to attend her class, where he would ultimately embrace the vibrant world of modern dance.
His interest blossomed further when he volunteered to review a Twyla Tharp performance, immersing himself in the dancers’ lives, watching rehearsals, and even socializing in the evening.
Barry Johnson’s participation in the rehearsals revealed a breathtaking quality of physicality among the dancers, compelling him to appreciate the art form on a whole new level.
The experience culminated in the challenge of writing his first review, where he sought clarity on what constituted a dance critique.
Over two days, he collaborated with a seasoned news reporter, refining his storytelling abilities and laying the groundwork for his future as an arts writer.
His motivation to write about dance stemmed from a desire for a more visceral, engaging narrative in arts journalism.
As he grew disenchanted with the detached tone of the critics prevalent in Seattle, he wished to create a bridge between the audience and the performers, evoking a deeper understanding of the dance experience.
After relocating to Portland in the early 1980s, Barry continued to shape the arts writing landscape, serving as the arts editor for The Oregonian and later founding Oregon ArtsWatch.
His decades of observing and documenting the evolution of the Portland dance scene enables him to provide a comprehensive perspective on its past, present, and future.
On June 8, attendees can look forward to not just bagels and coffee but also an enriching conversation as Barry Johnson and Linda K. Johnson explore the interconnected stories that define Portland’s dance history.
This dialogue is part of the Mycelium Dreams project initiated by Linda K. Johnson, aimed at creating an inclusive oral record of Portland’s dance artists and their contributions.
With contributions from numerous community artists, the project highlights the vital importance of shared memories and experiences within the dance community.
In addition to the conversation, various performances will grace Portland stages this June, reflecting diverse artistic expressions.
Highlights include Griot by Rejoice! Diaspora Dance Theater on June 1, showcasing the role of Griots in preserving cultural narratives through dance and music.
The celebrated Riverdance 30: The New Generation, known for its stunning choreography and bountiful energy, will be performed from June 3-8 at both the Hult Center and Keller Auditorium.
Oregon Ballet Theatre will present The OBT Collection from June 5-8, featuring captivating one-act ballets that delve into intimate narratives and varied choreographic styles.
Moreover, local community events such as Shine the Light on June 7 promises an immersive and celebratory gathering for all ages at The Reser, complete with interactive activities and performances.
For those interested in nurturing the next generation of dancers, the Student Artist Showcase by NW Dance Project on June 8 will highlight young talents in a myriad of styles.
As the month unfolds, performances like El Fuego Nuevo: Deseos del Corazon will soon grace local theaters, weaving together Mexico’s vibrant cultural heritage through dance.
Certainly, attendees at the upcoming archival conversation and the various performances this month can engage with the past and present of Portland’s thriving dance scene.
With the insights offered by Barry Johnson along with a myriad of performances, audiences will undoubtedly be inspired to reflect on the interconnected threads that bind the dance community together.
image source from：https://www.orartswatch.org/june-dancewatch-griot-riverdance-obt-and-a-chat-with-barry-johnson-about-portlands-evolving-contemporary-scene/
