Theatrical Outfit made waves in Atlanta by hosting the world premiere of the new musical ‘Young John Lewis,’ directed by Thomas W. Jones II.
This groundbreaking production focuses on the life of John Lewis, a notable Civil Rights activist and future representative of Georgia’s congressional 5th District.
Using the contemporary medium of hip-hop, the musical brings to light John Lewis’s journey, beginning from his youth in Alabama.
In the familiar setting of his mother’s home, young John is introduced to the heart-wrenching story of Mamie Till, the mother of Emmett Till, a boy who was brutally lynched.
This pivotal moment serves as a catalyst for John’s awakening, prompting him to grapple with the idea of revenge for the atrocities committed against individuals like Emmett.
The musical further explores this theme through the spiritual presence of Emmett Till, who accompanies John along his path.
John, along with historical figures such as Dr. Martin Luther King Jr. and Medgar Evers, embarks on a journey that takes him from Alabama to Nashville, where he participates in lunch counter sit-ins, undertakes Freedom Rides, and marches across the Edmund Pettus Bridge during the infamous Bloody Sunday.
With a book and lyrics by Psalmayene 24 and music composed by Eugene H. Russell IV, the hip-hop score invigorates a narrative steeped in history while keeping it relevant to modern audiences.
The production blends musical theater with rap, featuring intense rap battles and collaborative dance routines that resonate particularly well in Atlanta.
While the catchy music keeps audiences tapping their feet, some lyrics venture into a derivative territory, particularly when adhering to strict rhyme schemes.
Occasionally, the repetitiveness of certain songs can feel jarring, yet the well-crafted rap pieces showcase the cast’s impressive lyrical delivery.
The modular set design employs sliding frosted glass elements, allowing for intricate shadow play, while everyday objects like benches and chairs are transformed into luncheonette counters and bus seats through choreographed movement.
As both director and choreographer, Thomas W. Jones II maximizes the performance space, leading a cast that moves seamlessly through each scene, demonstrating impressive coordination and dynamic energy.
The cast members excel in their roles, showcasing strong vocal abilities, dance skills, and emotive acting, creating an engaging collective that captivates the audience.
Michael Bahsil stands out as the electrifying young John Lewis, delivering poignant moments that resonate deeply with viewers, some of whom even feel compelled to march alongside him.
Other notable performances include Alexandria Joy as Diane Nash, whose vocals soar, Brandin Jay as Jim Lawson with his soulful singing, Neal Ghant, who adds humor as both John’s father and Stokely Carmichael, and Terrence J. Smith, who pulls emotional weight by portraying both Emmett Till and Medgar Evers.
From the moment attendees enter Theatrical Outfit, they are enveloped in a rich historical atmosphere.
A dedicated photo opportunity in the lobby invites guests to take their seats at a mock congressional desk, while upstairs, several placards detail the historical timeline and figures central to John Lewis’s life, thanks to the John and Lillian Miles Lewis Foundation.
Overall, ‘Young John Lewis’ not only serves as a powerful musical retelling of a vital part of American history but also emphasizes the importance of artistic expression and youth engagement in social justice movements.
Its innovative integration of hip-hop and theater stands as a testament to Atlanta’s cultural significance, solidifying the city’s legacy as a hub for civil rights and artistic ingenuity.
image source from：https://www.broadwayworld.com/atlanta/article/Review-Good-Trouble-Makes-for-Good-Theater-YOUNG-JOHN-LEWIS-Premieres-at-Theatrical-Outfit-20250613
