Conundrum Theatre Company is set to present an exciting lineup of eight original plays during its 2025 New Works Festival, taking place July 18-20 and 25-27 at The Victory Theatre Center in Burbank.
The festival aims to highlight voices from marginalized communities in Los Angeles, featuring playwrights and directors who tackle relevant social justice themes through innovative storytelling.
Among the works premiering is “Coconut” by Bedjou Jean, a thought-provoking sci-fi play that envisions a future where race change therapy is possible. The narrative unfolds in a waiting room, where Walter, a black man aiming to become a white Norwegian, engages in a conversation with Maisha, an Indian Jewish woman seeking transformation into a Korean. This play delves into racial stereotypes and the essence of personal identity.
Another captivating piece is “DC20” by Donald Riddle, which humorously explores the challenges of dating and friendships among gay millennials in LA through the lens of Dungeons and Dragons. The story follows Kelvin, a cautious player who finds himself at a game night in a gay bar, aided by his roommate Marco, the Dungeon Master, in navigating his romantic endeavors.
“Root of All Evil” by Christopher Lee Akens tells the poignant story of Bobby, a recently drafted LA Rams player, who forms an unexpected friendship with Greg, a homeless man. Their conversation outside a grocery store forces Bobby to confront his preconceived notions about homelessness and the individuals behind the labels.
Mario Vega’s play, “Seeker X,” presents an absurdist comedy featuring a 15-year-old girl from Guatemala journeying to Florida in search of her mother and asylum. In a uniquely satirical twist, her trial takes place at a Burger King, with a fast-food assistant manager as the judge and a random customer as a juror, showcasing the absurdities of the current immigration system.
Hector Malgoza’s “Strikeforce 1999” examines the struggles of a Mexican-American actor, Miguel, who aspires to land a role in an action movie. Instead of the main character, he is asked to portray a stereotype, prompting Miguel to challenge the industry’s limited casting decisions and assert his talent.
In “The Accident” by April Littlejohn, a late-night encounter between a daughter and her mother leads to a revealing fight that uncovers hidden family secrets and questions the daughter’s role within the household dynamic.
Finally, Allison Fradkin’s “The Strand That Beads Us” presents an imaginative tale featuring colorful characters such as Turquoise, a pretentious pony bead, and Magenta, who holds her accountable. This playful narrative explores themes of identity and communication within a whimsical context.
The Conundrum Theatre Company’s 2025 New Works Festival promises an engaging experience for the audience by showcasing cutting-edge works that address critical social issues in contemporary society. This platform not only celebrates artistic expression but also fosters important conversations, making it a significant event for the Los Angeles community.
The Victory Theatre Center is preparing to welcome theater enthusiasts for this groundbreaking festival, highlighting essential stories from diverse voices that aim to resonate and inspire.
image source from：broadwayworld
