The Keegan Theatre in Dupont is hosting the Washington, D.C. premiere of Greg Kalleres’s comedy, “Apropos of Nothing,” which is aimed at delving into the nuanced dynamics of romantic relationships.
Running until August 10, this 90-minute play is structured in a series of vignettes that explore both the comedic and serious aspects of love and friendship, though its execution has its inconsistencies.
While some scenes provoke genuine laughter, others diminish into awkward silences, creating an uneven viewing experience.
Fortunately, a talented five-person cast keeps the performance lively, contributing their cleverness and energy to carry the play forward.
The storyline introduces us to Owen, portrayed by Ryan Sellers, who confesses his love for Lily, the wife of his close friend Martin, at a party.
As the narrative unfolds, this admission spirals into complications as others in their group, including Rebecca—Owen’s live-in girlfriend—become entangled in the ensuing romantic chaos.
Another noteworthy plotline features Rebecca, a college professor, who is caught in a lackluster affair with one of her students, Jacob, highlighting the uncertain connections between the characters.
Director Ray Ficca’s staging is complemented by a lively design by Josh Sticklin, though the set may feel overly busy at times, distracting from the broader comedic and dramatic themes.
The characters exhibit traits of self-absorption and confusion—a portrayal that aligns with a traditional sitcom style, drawing comparisons to the show “Seinfeld.”
Despite the unlikable qualities of its characters, Kalleres’s writing resonates with insights into the fragilities of relationships.
The conclusion of the play is somewhat tidy, lacking the edge that might have made the ending more poignant and memorable.
The production takes place in the newly renovated Keegan Theatre, providing a cool and inviting atmosphere amidst the summer heat.
For those looking to immerse themselves in performing arts this summer, various productions and events are spreading across the D.C. area.
Wolf Trap’s vibrant summer program features a range of music and performances, including a one-night show with celebrated humorist David Sedaris on July 19, and a 30th-anniversary concert by Pink Martini on July 29.
The National Symphony Orchestra will also accompany Broadway stars Sutton Foster and Kelli O’Hara for a night of iconic show tunes on August 1, highlighting the rich offering at Wolf Trap.
Additionally, Studio Theatre’s “Wipeout” is set to entertain audiences through July 27 with a comical take on friendship and self-discovery during surf lessons.
Olney Theatre presents an array of summer programming on its open-air stage, featuring performances by Tituss Burgess on August 7 and the U.S. premiere concert of “To Wong Foo: The Musical” on August 21.
The theater also showcases Synetic Theater’s wordless reimagining of “A Midsummer Night’s Dream” until August 10, promising a visually captivating experience.
Families with young children can visit the Imagination Stage in Bethesda for “Dory Fantasmagory,” running through August 3, exploring imaginative play in a family-oriented context.
Adventure Theatre in Glen Echo Park is presenting “The Lightning Thief” through August 17, a musical adaptation of Rick Riordan’s beloved book that follows the journey of a young demigod and his friends.
Signature Theatre will host a cabaret experience titled “Sailing: Yacht Rock” from July 22 through August 10, featuring nostalgic tunes of the 70s and 80s, allowing audiences to reminisce and unwind.
On August 23, Washington National Opera will hold its free broadcast of “Porgy and Bess” at Nationals Park, offering a unique opportunity for theater fans to enjoy an opera amidst the excitement of baseball.
As summer performances wind down, the ADA-defined musical “Parade” will make its way to the Kennedy Center from August 19 to September 7, exploring complex themes of justice and identity.
Over in Shepherdstown, West Virginia, the Contemporary American Theater Festival is ongoing through August 3, showcasing important works including Mark St. Germain’s “Magdalene,” which delves into faith and memory, and Kevin Kling’s “Unraveled,” which reflects on the journey of a disabled artist.
The festival features a rich lineup of new plays, with emphasis on diverse voices and stories, inviting discussions about community and identity.
Playwright Lisa Loomer’s “Side Effects May Include…” grapples with the complexities of mental health, while Cody LeRoy Wilson’s “Did My Grandfather Kill My Grandfather?” shares a moving family narrative that traces cultural lineage.
As summer unfolds, the landscape of theater in D.C. continues to thrive and captivate audiences with its range of stories and performances.
In the realm of musicals, Arena Stage invites viewers to experience “A Wrinkle in Time,” a world premiere musical adaptation of Madeleine L’Engle’s iconic novel, featuring Taylor Iman Jones as the lead character of Meg Murry.
This contemporary musical promises to resonate with audiences, especially young ones, exploring themes of bravery, family, and the fight between good and evil.
As Jones reflects on the role, they express enthusiasm about connecting with the emotional core of Meg’s character, reiterating the theme of finding inner strength.
In a production largely helmed by women, including director Lee Sunday Evans, there’s an evident focus on fresh perspectives within musical theater.
With a cast of 20 and a musical score of over 30 songs, the adaptation of “A Wrinkle in Time” embodies a significant undertaking, capturing the essence of L’Engle’s beloved narrative while appealing to audiences of all ages.
image source from：washingtonblade
