The excitement is in the air as music lovers worldwide prepare for the Austin City Limits Music Festival 2025, with the daily schedule officially released.
Taking place over two weekends, from October 3-5 and October 10-12, the festival is set to once again feature an incredible lineup in the Live Music Capital of the World.
Headlining this year is pop sensation Sabrina Carpenter, making her debut at the ACL Festival.
This comes shortly after her successful “Short n’ Sweet” tour, where she captivated a sold-out audience in Austin just a year prior.
Joining her on the main stage is Doja Cat, who returns to Zilker Park after her electrifying performance at the festival in 2021.
The lineup also boasts a roster of indie and alt-rock favorites.
Hozier, a crowd favorite from the 2023 festival, makes his return to enchant attendees with his powerful vocals.
In an exciting twist of nostalgia, The Strokes are back on the ACL stage 15 years after their first headlining performance in 2010.
Fans can also look forward to a performance from Cage the Elephant, last seen at the festival in 2016.
Country music enthusiasts will be thrilled to hear Luke Combs is set to headline this year, showcasing his chart-topping hits for fans.
Rounding out the diverse lineup is John Summit, who will deliver a thrilling DJ set.
One of the most anticipated acts is breakout female rapper Doechii, who recently took the stage at Lollapalooza.
She promises to bring her distinctive style and energy to the Austin crowd, contributing to what is shaping up to be an unforgettable festival experience.
As usual, festival-goers will have some tough decisions to make with overlapping set times across six stages.
The stages are T-Mobile, Miller Lite, BMI, Beatbox, Tito’s Handmade Vodka, Ladybird, and American Express.
Headliners will take the main spotlight each night.
On Friday night, Hozier and Luke Combs will share headlining duties, with Hozier performing on the T-Mobile stage at 8:15 p.m., followed by Combs on the American Express stage at 8:30 p.m.
Both weekends will also feature overlapping headlining sets by The Strokes and Sabrina Carpenter on different stages.
Sunday’s lineup also poses a dilemma for fans, as John Summit and Doja Cat’s sets will overlap, requiring a tough choice.
For indie rock fans, Friday promises heartache with the choice between catching Empire of the Sun at the Miller Lite Stage or Cage the Elephant on the American Express stage.
Additionally, fans will have to weigh the decision between Role Model at 6:30 p.m. on the T-Mobile stage or Empire of the Sun at 7:00 p.m. on the BMI stage.
With so many artist options and so many overlapping sets, planning becomes an essential part of the festival journey.
In terms of attendance, ACL 2025 is offering various ticket options for those eager to join the festivities.
Three-day passes are available for both weekends on the official ACL website, with general admission tickets starting at $360.
Those seeking a more comfortable experience can opt for GA+ passes, which offer amenities like air-conditioned restrooms and shaded lounges for $750.
Single-day tickets begin at $170, ensuring access for those who can only attend part of the festival.
For guests looking for a luxurious experience, VIP passes are priced at $1,670 and include a shaded lounge, separate food for purchase, and elevated viewing areas.
Platinum passes elevate the experience further, featuring all-day catering, front-stage viewing, and golf cart transportation for $5,670.
For the ultimate ACL experience, the three-day “Y’all Access” passes start at an impressive $27,000, but that option already has a waitlist for Weekend One.
The festival will also see the return of the three-day Bungalows, accommodating 10 guests and featuring additional amenities for a staggering price of $30,000.
With such a diverse lineup and a variety of ticketing options, the Austin City Limits Music Festival 2025 is poised to be a landmark event for music enthusiasts, although challenging decisions about performances will inevitably arise.
image source from：statesman
