The Museum of Contemporary Art (MOCA) has appointed Ann Goldstein, the former senior curator, as its interim director effective August 18.
Goldstein’s appointment comes in the wake of Johanna Burton’s announcement that she will be leaving MOCA to take the position of director at the Institute of Contemporary Art at the University of Pennsylvania, starting November 1.
The Board of Trustees revealed that they have initiated an international search for a new permanent director to lead the museum into its next phase.
Burton, who has spent four years at the helm of MOCA, stated her exit was planned to coincide with the opening of the museum’s much-anticipated “Monuments” exhibit, set to debut on October 23.
However, a source within the museum, who requested anonymity, indicated that Burton’s last day at MOCA would be this upcoming Friday.
While MOCA did not provide specific comments regarding the timing of Burton’s departure, the discrepancy between Burton’s planned departure and MOCA’s announcement regarding Goldstein’s start date has raised questions.
In her own words, Burton noted her willingness to stay until the very last moment before transitioning to her new role, but she acknowledged that it was a sensible decision for MOCA’s board to expedite the search for a new leader.
“I think everybody just has the best interest of the museum in mind,” she expressed, reflecting on her achievements during her tenure.
Burton emphasized her pride in the developments during her time at MOCA and expressed confidence that Goldstein is the right person to take over.
Goldstein brings a wealth of experience with her longstanding association with MOCA, a journey that began in 1983, shortly after the museum’s inception.
She has risen through the ranks, serving as senior curator, and has held prestigious positions, such as director of the Stedelijk Museum in Amsterdam from 2009 to 2013 and more recently as deputy director of the Art Institute of Chicago.
Carolyn Clark Powers, chair of MOCA’s board of trustees, commented on Goldstein’s familiarity with the museum, stating, “No one knows MOCA like Ann. Her deep institutional knowledge and passion for our collection and community, coupled with her international directorial expertise, makes her the ideal leader to maintain the museum’s momentum.”
Burton’s resignation marks a significant transition for MOCA, which has faced several leadership changes and challenges over the past years.
Having become MOCA’s first female director four years ago, Burton’s tenure began during a tumultuous time for the museum, characterized by a series of controversies.
This includes a canceled fundraising gala that brought to light issues related to diversity among honorees, alongside the dismissal of chief curator Helen Molesworth and the unexpected decision by former director Philippe Vergne not to renew his contract.
With Burton now being the fifth director to leave MOCA since 2008, the museum stands at a pivotal moment, poised to move forward under Goldstein’s experienced leadership as they search for a permanent replacement.
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