In a move anticipated by the community just in time for Labor Day weekend, Revolt, a fresh LGBTQ bar, has taken over the location on the corner of U and 14th streets in Washington, D.C. This site was previously home to Cloak & Dagger, known as a vibrant straight bar and dance club for the past decade.
Revolt (1359 U St. NW) announced on Instagram this week its upcoming special preview weekend, which will introduce Washingtonians to the newest queer bar featuring local DJs and drink specials. The Blade was granted an exclusive early-access tour led by Jonathon Rube, the bar’s head of operations. Rube, who identifies as gay, oversees all aspects of the establishment, while the space’s owner is straight.
Despite its small capacity of 99, Rube has grand plans for the venue. He described Revolt as embodying a “Vegas style” and “over-the-top” aesthetic, intending to make it a highlight of D.C.’s nightlife. In addition to the bar, there are plans to include a dessert shop on the first floor named Crazy Banana and a quick-service window for “late night bites” to satisfy hungry dancers.
Rube emphasized the prime location of 14th and U Streets, a corner that has transformed into a thriving hub for the LGBTQ community over the last three years, alongside establishments such as Bunker, Crush, District Eagle, and Spark Social. He sees this development as a chance to create a safe and diverse space that respects the historical significance of the area, particularly for Black Washingtonians, who historically considered it a cultural haven referred to as “Black Broadway” in the early 1900s.
With a vision of inclusivity, Rube expressed his commitment to hosting events that cater to various segments of the LGBTQ community, including hip-hop nights and Sapphic Saturdays, aiming to reflect the rich diversity of gender identities and sexualities.
Furthermore, Rube is shaping Revolt with a focus on high-tech lighting and sound systems, distinguishing it from other establishments in the city. His approach is not about competition; instead, he seeks to complement the existing nightlife landscape and encourage patrons to explore multiple venues in the area, likening it to the vibrant districts found in West Hollywood.
Affordable drinks with multiple happy hours and pre-batched mixed shots aim to ensure an inviting atmosphere without the pressure of sophisticated mixology. Acknowledging the need for safety and comfort, Rube has specially chosen a community-informed security approach that prioritizes understanding and respect for patrons, rather than employing outside bouncers.
In recent times, broader efforts have been made to spotlight LGBTQ history in Washington, particularly at the Capital Jewish Museum. The museum proudly opened its exhibit, “LGBTQ Jews in the Federal City,” which explores the significant contributions of LGBTQ Jews in D.C. since May. Highlighting events in both Jewish and LGBTQ history, this exhibit features artifacts that illuminate the intersection of religious and queer identities.
Curatorial Affairs Director Sarah Leavitt shared insights about the exhibit’s creation, indicating a desire to inspire and encourage recognition of often-overlooked stories. Collections Curator Jonathan Edelman remarked on the importance of illustrating a comprehensive narrative that reflects the diverse community, emphasizing the necessity of listening to and documenting the experiences of LGBTQ Jewish elders.
Artifacts ranging from buttons commemorating protests to pieces of the AIDS memorial quilt offer a glimpse into the rich history within the community. Standout items include one of the first editions of the Washington Blade from 1969, valued not just as a historical document but as a catalyst for community connection.
Amid personal storytelling and shared memories, the exhibit highlights the relationship between the LGBTQ and Jewish communities, emphasizing their mutual support through activism and celebrations. Displayed artifacts reveal struggles, resilience, and the fight for recognition within both communities, including the acknowledgment of trauma and loss, particularly during the Holocaust.
As the LGBTQ Jewish exhibit continues to educate and engage visitors, the museum strives to honor the complexities of queer history and its place within the broader Jewish narrative. Admission prices ensure accessibility, with discounts for seniors and students, underscoring the museum’s commitment to fostering understanding and appreciation for LGBTQ contributions to the fabric of D.C.’s history.
Furthermore, the atmosphere of celebration and community extended to Crush Dance Bar, where members of the Fab Five from Netflix’s “Queer Eye” gathered for a lively panel discussion. The event, organized by Creative Artists Agency, proceeded amidst heartfelt reflections on their meaningful journeys through the series.
While Tan France was absent from the gathering, the remaining stars—Antoni Porowski, Jonathan Van Ness, Karamo Brown, and Jeremiah Brent—charmed attendees with insights about their experiences filming in D.C. and its dynamic surroundings. Porowski noted the unique character of D.C., expressing admiration for the connections forged within the community during their filming, while Brown described his initial stereotypes of D.C. residents that transformed once he engaged with locals.
Brent marveled at the city’s artistic landscape, and Van Ness highlighted the natural beauty of D.C., particularly its cherry and magnolia trees. Discussing the political context in which they filmed, Porowski mentioned the impactful setting of a scene shot in front of the White House, further emphasizing how personal connections become vital amid political divides.
Brown’s sentiments underscored a call for unity and compassion across political lines, while Van Ness pointed out the ramifications of the current political landscape on the financial stability of queer creators. For Brent, the warmth and kindness of the queer community in D.C. became a highlight of the trip, further solidifying the city’s charm.
As the panel concluded, reflections on the legacy of “Queer Eye” emerged, with each star sharing their plans for the future. Porowski’s shift into storytelling through food with National Geographic reflects his evolution, while Brown expressed his desire to impact lives through his daytime talk show, “Karamo.” Brent emphasized his commitment to purposeful endeavors rooted in the same mission that defined “Queer Eye.”
As Van Ness prepares for the emotional conclusion of this chapter, the final filming of the series signifies both an ending and a new beginning, encapsulating the meaningful relationships formed and lessons learned throughout their time on the show.
Overall, the opening of Revolt and the ongoing efforts to celebrate LGBTQ history in Washington serve as powerful reminders of the vibrant community and the resilience that binds individuals together through shared experiences, struggles, and triumphs.
image source from：washingtonblade
