The much-loved tale of Mary Poppins, first introduced in P.L. Travers’ books in 1934, has transcended generations to become a cultural icon, especially following Disney’s beloved 1964 film adaptation.
Seventy years after the film, the musical version of MARY POPPINS premiered in London in 2004, followed by a Broadway launch in 2006.
This stage adaptation honors both the original books and the classic film while introducing its unique take on the story.
With a script crafted by Julian Fellowes, known for his work on Downton Abbey, the production offers a deeper emotional narrative for the Banks family and enriches the characters with substantial backstories.
Even those familiar primarily with the movie will find themselves intrigued by the additional characters Fellowes seamlessly weaves into the narrative, creating a balance of whimsy and substance to ground the magic in genuine human transformation.
The musical features new songs composed by George Stiles and Anthony Drewe, complementing the cherished score by The Sherman Brothers while providing inventive choreography and theatrical illusions.
Impact Arts, presenting MARY POPPINS as part of their Summer Stock Austin series, drew palpable energy on the night of our attendance, showcasing the remarkable talent of youth performers.
At Impact Arts, youthful enthusiasm often translates into well-executed productions, and this MARY POPPINS performance epitomizes that strength.
It finds a fitting home at Summer Stock Austin, where the organization’s commitment to inclusion and education aligns seamlessly with their dedication to theatrical excellence.
Under the expert direction of Deonté Warren, the timeless narrative retains its relevance and accessibility for audiences of all ages.
Warren’s talent for casting a diverse and gifted ensemble truly shines through in this production.
Choreographers Barrett Davis and Noah Wood, the latter commendably recognized for his outstanding work in last season’s Guys and Dolls, have beautifully coordinated a talented cast of approximately 40 performers.
Such a large cast is a rare yet thrilling spectacle in Austin, particularly when stages more commonly present fewer actors.
The full ensemble numbers showcase an entertaining extravaganza that, despite its crowdedness, captively engages the audience.
While it would be ideal to acknowledge every cast member’s individual contributions, constraints of time and space prohibit that detail, though their collective enthusiasm is unmistakable.
However, notable performances by a few standouts warrant attention.
Ava Moak and Aidan Cox deliver remarkable portrayals of Mary Poppins and Bert, respectively, managing to infuse their characters with distinctive flair amidst iconic expectations.
Cox embodies Bert as a beguiling and easy-going storyteller, while Moak’s interpretation of Mary Poppins is, appropriately, practically perfect in every way.
This role marks Moak’s first endeavor with Impact Arts, and she truly captivates the audience’s attention throughout.
Supporting performances by Layla Ramos and Strider Ullah also shine brightly; Ramos’ Jane exhibits gentle sincerity, while Ullah’s Michael bursts forth with a charmingly irrepressible spirit and impressive comedic timing for someone so young.
At its core, MARY POPPINS delves into themes of redemption and family healing, embodied powerfully by Finn Alexander as George and Sophia Avila as the formidable Miss Andrew.
Acting is frequently one of the elements that can be overlooked in musicals, yet both Alexander and Avila demonstrate accomplished skill and magnetic presence on stage.
Despite minor technical issues, likely only perceptible to the most discerning patrons, the production emerges as a supercalifragilisticexpialidocious spectacle.
Such kinks may have been resolved by the time readers experience the performance, thus the opportunity to support Austin’s vibrant pool of young actors should not be missed.
Summer Stock Austin has enjoyed over two decades of success, presenting two to three repertory musicals each season.
Notably, participation in this program is tuition-free, with selection based solely on talent and potential rather than financial standing.
High school and college performers collaborate closely with professionals and mentors, gaining invaluable experience across all production aspects from performance to prop design.
Regarded as a unique initiative within the United States, Summer Stock Austin fosters a true stock-style, immersive learning environment.
Those eager to witness the impressive talent of the next generation within Austin’s theatrical landscape should seize this opportunity.
Witnessing rising stars on stage can only heighten the experience and deepen appreciation for the arts.
Catch MARY POPPINS THE MUSICAL from July 25 to August 10, 2025, at the McCullough Theatre, University of Texas, located at Robert Dedman Drive and E. 23rd Street in Austin, TX.
image source from：broadwayworld
