As the stars twinkle above, audiences in Austin are treated to a vibrant farewell performance by The Baron’s Men at the Curtain Theatre, an authentic Elizabethan-style playhouse echoing the spirit of Shakespeare’s time.
This season, the company presents Much Ado About Nothing, a joyous celebration that embodies laughter, romance, and a touch of mischievousness.
Written at the turn of the 17th century, Much Ado About Nothing shines as one of Shakespeare’s most beloved comedies, set against the sun-drenched backdrop of Messina, where the aftermath of war gives way to the duel of love.
The play introduces us to Beatrice, portrayed by Jacquelyn Lies, and Benedick, played by Timothy McKinney, two characters with a long history of banter and combativeness, each fiercely convinced that love is not for them, especially with each other.
In contrast, the tender romance between Hero (Anneliese Friend) and Claudio (Rylee Ross) faces a grave threat from the envious Don John (Michael Pratt), the illegitimate brother of Prince Don Pedro (Chris Casey).
Don John’s malicious scheme to tarnish Hero’s reputation brings forth the play’s central conflicts, weaving a tapestry of deception and the fragility of truth that resonates deeply with contemporary audiences.
The comedic elements are balanced by genuine moments of heartbreak as Hero faces public humiliation, yet the spirit of the piece remains optimistic.
Order is restored not through noble deeds but by the bumbling constable Dogberry (Audrey Renkenberger) and her clumsy watchmen, who inadvertently unravel Don John’s treachery.
In the end, the narrative culminates in a restored joy, with lovers reunited and a celebratory dance that echoes across the stage.
The themes of reputation, wit as a woman’s armor, and courageous love resonate powerfully in a world where misinformation can wreak havoc, reflecting the realities of both Elizabethan and contemporary society.
For over two decades, The Baron’s Men have dedicated themselves to honoring the authenticity of Shakespearean performance, using original texts, period-appropriate costumes, and staging reflective of Elizabethan traditions.
In contrast to other productions that often reimagine Shakespeare in modern contexts, The Baron’s Men remain committed to the heart of the Bard’s work, creating a theatrical experience akin to time travel.
Their current production of Much Ado About Nothing captures this authenticity through meticulously designed costumes by Shannon Gibson, with the warm glow of torchlight and costumes breathing life into the performance.
Under the direction of Lindsay M. Palinsky, the staging of Much Ado moved fluidly, with the multi-tiered architecture of the Curtain Theatre enhancing the visual storytelling through dynamic physical movement and vibrant interaction.
Jacquelyn Lies’ Beatrice is both spirited and vulnerable, embodying the character’s complexity with powerful diction, while Timothy McKinney’s Benedick brings a charisma that makes their interactions feel spontaneous and electric.
The performances of Anneliese Friend and Rylee Ross as Hero and Claudio add a sweet depth to the portrayal of young love, highlighting both joy and sorrow.
Michael Pratt’s Don John delivers a menacing undertone of envy, reminding viewers that even in comedy, the weight of resentment can linger.
A standout, Audrey Renkenberger’s portrayal of Dogberry adds a delightful layer of humor, showcasing the wit that often characterizes Shakespeare’s fool archetype.
From start to finish, the ensemble’s collaboration created a lively, communal atmosphere, culminating in a joyous finale that invited all in attendance to partake in the celebration.
This production also marks a bittersweet moment as it stands as The Baron’s Men’s final performance at the Curtain Theatre, a cherished venue that has hosted their artistic endeavors for two decades.
Despite the sale of the venue to private developers, The Baron’s Men remain hopeful, actively fundraising for a new permanent home to continue sharing the Elizabethan theatrical experience with Austin audiences under the stars.
Much Ado About Nothing holds a special place as a favorite among Shakespearean comedies, notable for its clever writing, engaging characters, and the absence of tragic deaths.
The portrayal of strong, wise women alongside flawed yet endearing men reinforces the timeless nature of Shakespeare’s works and the enduring power of love.
With a packed house filled with laughter and thunderous applause, the audience is left enchanted by this authentic performance.
For those who have not yet experienced The Baron’s Men in their natural environment, tickets are available for a rare chance to enjoy Much Ado About Nothing as it was intended—outdoors, beneath the open sky, surrounded by the warmth of a community celebrating the joys of love and folly.
image source from：broadwayworld
