Theater enthusiasts in Portland are in for a treat this April as several innovative productions are set to explore unique narrative styles and themes.
Among these is the Portland Experimental Theatre Ensemble (PETE) with its latest creation, ‘Another Dialogue,’ directed by Jacob Coleman.
This play is described as an ‘experiment in form and process,’ highlighting how artists can discover new ways to express complex ideas and emotions.
Having initially premiered for one night at a local warehouse, it will now be showcased at the Portland Institute for Contemporary Art (PICA) from April 25-27.
The production features a looping ten-minute conversation between two friends, brought to life by performers Rebecca Lingafelter and Amber Whitehall, while musicians Mark Valadez and Elsa Dougherty create a parallel emotional landscape with music.
Coleman discusses the intricacies of everyday conversations that often conceal deeper personal histories and traumas, inviting the audience to reflect on the nuances of human relationships.
‘What are the bigger undercurrents of our lives?’ Coleman poses, emphasizing the challenge of representing the subtle shifts in emotional experiences on stage.
As the audience witnesses the dialogue loop seven times with changing musical textures, they are encouraged to feel different emotions in response to the evolving layers of apparent simplicity.
Coleman notes that while the initial performance may appear naturalistic, it morphs into a deeper exploration of whether individuals can truly break the patterns in their relationships.
In PETE’s performances, the intimacy of the set will surround the audience with a circular arrangement, an echo of the play’s repetitive nature, and an invitation for viewers to engage with the piece in various contexts throughout Portland.
In a similar vein, ‘The Ballad of Iron Jo,’ a new musical by Elliot Lorenc, is making its world premiere at Bag&Baggage Productions also on April 25.
Inspired by the Brothers Grimm tales, Lorenc’s play intertwines themes of community and identity while packing a punch with a talking goose puppet and other whimsical elements.
In rewriting the narrative of Iron John, Lorenc aims to explore modern gender issues and community dynamics while avoiding superficial social commentary, keeping the storytelling central.
‘The Ballad of Iron Jo’ promises both entertainment and insight, showcasing the journey of characters in a magical forest against the backdrop of contemporary challenges such as corporate pollution and labor rights.
Participating in the creative process, Lorenc engaged with local students in workshops, reinforcing the production’s accessibility and relevance for all age groups.
From April 25 to May 11, audiences can enjoy the musical’s vibrant storytelling while reflecting on the broader themes of connection and responsibility in society.
Additionally, other notable productions will grace Portland’s stages this spring.
The Artists Repertory Theatre will present ‘The Storyteller,’ running from April 26 to May 18.
This world premiere, written by Sara Jean Accuardi, is inspired by Shakespeare’s ‘The Tempest’ and follows a teenager navigating her unique narrative while living off the grid with her father.
Another significant piece, ‘Push: Black Mamas Changing the Culture of Birth,’ will be showcased by Beirut Wedding at CoHo Productions from April 25 to 27.
Written by Dr. Roberta Hunte and Bobby Bermea, this play is devised from the community stories of Black doulas and midwives, addressing healthcare challenges while emphasizing joy and resilience in the birthing experience.
Tarell Alvin McCraney’s ‘The Brothers Size,’ showcasing themes of brotherhood and redemption, will be featured at Portland Center Stage from April 25 to May 18, highlighting the complexities of southern masculinity.
This production’s poetic script combines drama, comedy, and musical elements in a tale of family and connection.
Broadway enthusiasts will find joy in the touring production of ‘Six the Musical’ at Keller Auditorium, taking place from April 29 to May 4.
This award-winning musical about the wives of Henry VIII transforms their narratives into an empowering competition, promising an energetic performance.
Local theatergoers can also catch a variety of pieces including ‘No Sex Without Toys’ and ‘Joe Turner’s Come and Gone,’ both aiming to tackle challenging topics with humor and depth.
The theater scene continues to thrive with additional exciting shows such as ‘Salomé,’ ‘Grease,’ and ‘Next to Normal,’ each offering unique perspectives on human experience and societal issues.
Furthermore, following challenges faced by Oregon Children’s Theatre, they have launched a $1 million fundraising initiative to maintain their critical role in the community.
As Portland embraces new narratives and diverse voices this season, audiences are encouraged to engage with these performances that reflect contemporary themes and foster community connection.
Join the excitement and support local artists by attending these remarkable productions this spring.
image source from：https://www.orartswatch.org/dramawatch-meaning-and-music-in-another-dialogue-and-ballad-of-iron-jo/
