Rec Room Arts has once again proven its theatrical prowess with the latest production of Danny Tejera’s play, ‘Toros.’ This powerful dramedy tackles complex themes such as toxic masculinity, the transition into adulthood, and the intricacies of friendship, leaving a lasting impression on Houston audiences.
Set in a suburban garage on the outskirts of Madrid during a pre-COVID, post-Trump era, ‘Toros’ unfolds over 90 minutes and follows the lives of three twenty-something friends—Juan, Toro, and Andrea. Portrayed by Andrew Chavez, Rolando Chusan, and Gigi Chavez respectively, these characters grapple with their identities and ambitions amidst the noise of partying, chain-smoking, and DJing.
A particularly intriguing aspect of the production is the character of Tica, Juan’s aging golden retriever, who is depicted by a human actor. This creative choice adds a surreal layer to the narrative and serves as a poignant reflection on themes of loyalty, memory, and emotional neglect.
The performances delivered by the ensemble cast of ‘Toros’ are strikingly authentic. In the opening moments, Andrew Chavez’s portrayal of Juan showcases the complexities of navigating fraught friendships, making the audience reflect on their own social circles.
Chavez’s ability to embody the character’s nuanced relationship with masculinity is commendable; his performance resonates with many young men today. Rolando Chusan, embodying Toro, adds a softer touch to the play, balancing humor with gravitas and proving to be an effective foil to Juan.
Greg Dean’s portrayal of Tica is exceptional, as he brings depth to the anthropomorphized role, establishing a unique connection with the audience. Although I prefer to avoid spoilers, Dean’s performance stands out and deserves recognition for the depth he brings to his character.
However, the true highlight of this production is Gigi Chavez’s stunning portrayal of Andrea. Her performance is both intricate and spectacular, with a memorable monologue delivered with both seriousness and dignity. Chavez’s range—from comedic moments to deep sincerity—earns her a spotlight in any future productions, particularly for avid theatergoers and aspiring actors.
The direction of ‘Toros’ is skillfully helmed by the talented Lily Wolff, marking her third project at Rec Room Arts. Wolff’s attentive approach to the script ensures that the nuances of the story are highlighted, showcasing her unique ability to balance tension within the performances.
The design elements of the production are, as expected from Rec Room Arts, impressive. Scenic designer Stefan Azizi creates a stunningly realistic garage setting, complete with a functioning garage door that serves as a focal point of the production.
Sound design by Robert Leslie Meek plays an essential role in the overall atmosphere, incorporating elements that may challenge but ultimately enrich the audience’s experience. The courage to evoke discomfort only enhances Meek’s sound layout.
Cassidy Stanley deserves special commendation for her lighting design. Lighting a realistic garage for a story centering on a group of twenty-something friends could be a challenging task. Yet, Stanley’s skill in creating an evocative lightscape is impressive and noteworthy.
‘’Toros’ is more than just a play; it resonates long after the curtain falls, asking profound questions and utilizing silence as a vehicle for communication. With powerful performances, an insightful director, and a skilled design team, Rec Room Arts has solidified its status as one of Houston’s most vibrant theatrical companies.
This production does not provide easy answers, but it acts as a mirror reflecting not only the struggles of its characters but the broader human experience as well.
image source from：https://www.broadwayworld.com/houston/article/Review-TOROS-at-Rec-Room-Arts-20250526
