In the vibrant art scene of Chicago and the Great Lakes region, a growing phenomenon is emerging: the rediscovery of forgotten artists. A recent report by the New York Times highlights how artists, particularly women and artists of color, are experiencing a renaissance thanks to a new era of art dealers who are diving into the past to bring these figures back to contemporary audiences. The movement known as the ‘rediscovery industrial complex’ aims not only to enrich the art-historical canon but also to generate significant profits for savvy dealers. One compelling case is that of painter Lynne Drexler, whose landscapes have surged in value at auction from a mere $50 during her lifetime to over $1 million in recent years.
Furthermore, the School of the Art Institute of Chicago (SAIC) is among the nation’s art schools boasting a significant international student presence. According to ARTnews, international students comprise 29% of the SAIC’s student body, a figure that mirrors other prominent art schools such as the School of Visual Arts and the Parsons School of Design, showcasing the global appeal of these institutions.
In a surprising twist, the director of the Smithsonian Institution’s National Portrait Gallery, Kim Sajet, defies a recent dismissal by President Trump, continuing to fulfill her obligations at the museum amid the controversy. The incident raises questions about the extent of presidential authority over federally funded cultural institutions, highlighting the ongoing tensions in U.S. governance.
Meanwhile, corporate sponsorship in the arts sparks debate across British cultural institutions. Ten major entities, including the British Museum and the Victoria and Albert Museum, have issued a joint letter condemning a wave of negativity surrounding such sponsorships, arguing that partnerships with businesses can enhance the competitiveness of cultural organizations. They contend that these relationships are crucial for survival within the economic structures that shape our society.
On the labor front, educators at the School of the Art Institute of Chicago celebrated a significant milestone with the ratification of their first union contract for nontenure-track faculty after years of negotiations. This contract ensures annual wage increases, enhanced healthcare benefits, and greater job security for faculty members, marking a pivotal moment in their advocacy for improved working conditions.
Transitioning to the dining scene, excitement is brewing in Bucktown with the upcoming launch of Wolf & Company, a two-story restaurant and coffee shop poised to offer direct access to The 606 trail. Set to open later this month, the establishment features a specialty market, butcher, and café on-site, with an expansive dog-friendly patio.
In Lincoln Square, the former Gather space will soon house Union Dumpling House, a restaurant specializing in unique dumpling creations that blend Chinese traditions with American flavors. The owners are experimenting with innovative menu items like cheesy pizza buns and ground lamb dumplings, demonstrating a culinary approach that embraces cultural fusion.
However, the dining experience is not without challenges—as highlighted by a Bon Appétit piece that examines the discomfort experienced by diners in overly dimly lit restaurants. Many patrons grapple with the lack of visibility, often resorting to unconventional means for reading menus. This survey reveals a tension between restaurant aesthetics and the practical needs of customers, suggesting that the ideal balance remains elusive.
In concerning news from the culinary world, Jacob Bickelhaupt, a former Michelin-star chef, faces serious domestic assault charges in South Florida, reviving discussions around his past incidents of violence. Bickelhaupt’s previous conviction led to the closure of his restaurant, 42 Grams, in Chicago, raising questions about accountability and rehabilitation in the culinary scene.
The film and television sector is also abuzz with activity, with the Toronto International Film Festival recently announcing Colin Hanks’ documentary, “John Candy: I Like Me,” as its opening night gala. Happening on September 4, the film pays homage to the legendary comedian and will be accessible to a wider audience on Prime Video by October 10.
Sotheby’s is generating interest with an auction of a quintessential artifact from ’80s cinema—Matthew Broderick’s sweater vest from “Ferris Bueller’s Day Off.” Expected to fetch up to $600,000, the vest symbolizes a nostalgic piece of film history that continues to captivate collectors and fans alike.
On the television front, NBC confirmed that its three popular Chicago series, ‘Chicago Fire,’ ‘Chicago P.D.,’ and ‘Chicago Med,’ will return with all lead actors contracted for another season. This consistency showcases the enduring popularity and critical acclaim of these shows as they uphold beloved narratives and characters.
In a broader context, concerns emerge regarding the Hollywood landscape and the influence of artificial intelligence on job security in the industry. Reports depict a shift away from traditional filming locations, prompting professionals to reevaluate their standing amid the evolving landscape, described by some as a ‘Rust Belt crater’ rather than the once-glamorous hub of entertainment.
Streaming services also draw attention, particularly Mubi, which recently secured a $100 million investment from Sequoia Capital. This funding aims to expand Mubi’s reach and distribute more indie films, catering to a growing appetite for highbrow cinema, indicating a resurgence in the appreciation for artistic storytelling in film.
In literary discussions, Salman Rushdie weighs in on the perceived threats of AI in writing, positing that authors remain safe until machines can evoke genuine laughter through their narratives. His remarks reflect on the limitations of artificial intelligence in capturing the nuances of human experience and humor.
In the realm of memoirs, Roger Day Bain releases “Clarendon Hills Kid,” a nostalgic reflection on growing up in the Chicago suburb between 1949 and 1969. The book explores themes of social class, local transformations, and a childhood steeped in baseball culture.
Media organizations face financial challenges as Chicago Public Media CEO, Melissa Bell, discusses the implications of federal budget proposals that threaten funding for public broadcasting. The potential clawback of funds presents a significant concern for many public agencies as organizations like Lakeshore Public Media in Indiana brace for substantial budget reductions.
Artistically, The Green Mill, an iconic Chicago jazz venue, finds itself on the market as the property housing it becomes available for sale. The historic building presents a rare opportunity to invest in a piece of Chicago’s cultural heritage, further emphasizing the city’s deep-rooted connections to music and nightlife.
Continuing with music, the Fondazione Prada in Milan announces the Muti Opera Academy, an educational initiative under renowned conductor Riccardo Muti, which will engage audiences in the operatic process. By allowing public access to lessons and rehearsals dedicated to Mozart’s “Don Giovanni,” the academy aims to bridge education and performance.
The upcoming Wicker Park Fest is set to feature an impressive roster of over fifty music acts, showcasing local talent and vibrant performances across genres. With a lineup curated by Subterranean, the festival promises to be a highlight of the summer cultural calendar.
On the stage, the play “Purpose” continues to evolve as playwright Branden Jacobs-Jenkins fine-tunes his work in collaboration with actors from Steppenwolf Theatre. This rigorous process exemplifies how artists draw from one another to create a more enriching theatrical experience.
Comedian Jeremy Piven brings his stand-up routine back to his Chicago roots, recording a show at The Vic. Emphasizing the comedic skills shaped during his early career in Chicago, Piven aims to share laughs with his hometown audience.
In California, frustrations mount over proposed budget cuts affecting performing arts funding, rallying performers and organizations who depend on state support. As artists express their discontent, the implications of these cuts are likely to resonate across the community.
In an exciting development at the University of Chicago, benefactor Thea Berggren has contributed $21 million to establish the Berggren Center for Quantum Biology and Medicine. The center aims to explore the integration of quantum technology with biological research, showcasing the university’s commitment to advancing scientific innovation.
Finally, in a surprise twist for White Sox fans, reports indicate that billionaire investor Justin Ishbia may soon take a controlling interest in the baseball team. The possible ownership transition raises questions regarding the future management and direction of the franchise, particularly in light of current owner Jerry Reinsdorf’s age and tenure.
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