Open Fist Theatre Company is set to present the world premiere of ‘Amerika or, The Man Who Disappeared,’ adapted from Franz Kafka’s novel by Dietrich Smith, who also directs the production.
The narrative introduces 17-year-old Karl Rossmann, who arrives in New York City on a steamer after being banished from Germany due to a family scandal. As Karl attempts to navigate life in a foreign land, he is met with a series of bewildering and surreal experiences that challenge his sense of self and belonging.
In a recent conversation, Dietrich Smith shared insights about his unique path to theatre, commenting on how he didn’t enter this world until he was 40 years old. An experienced film editor, screenwriter, and television writer, his first encounter with professional theatre came during his freshman year of college, when he saw ‘Pacific Overtures’ at the Dorothy Chandler Pavilion. This experience ignited his passion for theatre, leading him to acting classes and eventually joining the Open Fist Theatre Company, where he found fulfillment in acting, directing, and program management.
Smith’s adaptation of ‘Amerika,’ which began forming 35 years ago, took years to complete. Initially drawn to Kafka’s storytelling for its humor and inventive narrative, Smith re-evaluated the story over time, recognizing its depth as he grew older. He noted how the plot resonated with the universal experience of navigating the unpredictable terrain of adulthood.
The setting of Kafka’s novel in New York City, despite his never having visited America, is significant. Smith believes New York represents a mythical epicenter for America, especially during a time when it served as the primary entry point for immigrants. Although Karl’s journey in the novel begins in the city, he soon ventures beyond its confines.
When staging this version of Amerika, Smith maintains a focus on its energetic narrative style. He emphasized the importance of a fast-paced, minimalistic setting that relies on the actors’ performances and the occasional visual or sound cue to propel the story forward.
Smith’s production highlights both the comedic and the darker elements of Kafka’s work. By emphasizing the humor at the forefront, the somber undertones emerge seamlessly over the course of the narrative, mirroring the structure of the original novel.
The Dickensian influence on Kafka’s writing plays a significant role in Smith’s direction style, encouraging actors to portray their characters with an exaggerated, larger-than-life energy. This stylistic choice complements the humorous and absurd aspects of the story.
As the play follows Karl’s journey as a young immigrant, it resonates powerfully with contemporary discussions on immigration. Smith pointed out that the themes of immigration, alongside the societal pushback against migrants, remain relevant today as they have throughout history.
The ensemble cast that brings this story to life includes Ethan Remez-Cott as Karl Rossmann and several other talented actors who embody multiple roles. Smith explained that casting was based on auditions and matching actors to roles that best suited their talents, a process that remains consistent with his previous experiences.
Smith is also excited about the artistic contributions from sound designer Gary Rydstrom, a seven-time Academy Award winner, and animator John R. Dilworth, who were integral to shaping the play’s atmosphere. Smith highlighted their creative input, particularly in how Rydstrom’s soundscapes enhance transitions between settings and emotional states, and how Dilworth’s animation serves as unique visual interludes, emphasizing the play’s playful spirit.
Despite Kafka’s novel remaining unfinished, Smith faced the challenge of providing a conclusion to the adaptation without compromising the essence of the story. He crafted an ending that aligns with the central themes and emotional trajectory of the novel while acknowledging the inherent uncertainty present in Kafka’s writing.
Open Fist Theatre Company is renowned for its dedication to socially relevant works. Smith’s adaptation of ‘Amerika’ aligns with this mission by addressing timeless themes and offering depth through its multifaceted narrative.
As audiences engage with the play, Smith hopes they leave with a connection to the themes of justice and guilt woven throughout Karl’s journey. While he acknowledged the difficulty of articulating what he hopes viewers take away, he emphasized the importance of these motifs in both the adaptation and Kafka’s broader body of work.
In reflection, Smith expressed gratitude for the process of bringing ‘Amerika’ to the stage, acknowledging the long, winding road that has led to this momentous premiere.
image source from：broadwayworld
