The Garfield Park Bandstand, an architectural gem built 128 years ago to showcase musical performances, is currently undergoing a significant restoration project valued at $2.2 million, marking the end of decades of neglect and abandonment.
The restoration efforts are extensive, focusing on the bandstand’s 1,600-square-foot cloverleaf-shaped base, which features a stunning marble cladding. The intricate mosaic panels on the structure’s parapet are also receiving much-needed attention.
One of the most eye-catching aspects of the bandstand, its ornate copper dome, will be given a new lease on life as part of this transformative project.
The dedicated work comes at a time when the Garfield Park area and the West Side are eager for revitalization. The bandstand has remained inactive since the 1990s and hasn’t undergone any meaningful rehabilitation since the 1950s.
Michael Fus, the Chicago Park District Preservation Architect overseeing the restoration, expressed his admiration for the bandstand, referring to it as a “jewel box” within Garfield Park.
Historically, the bandstand was constructed in 1897 and stands just east of Hamlin Avenue along Music Court Drive, strategically located on the southern segment of the historic 184-acre park. Although not as publicly recognized as Garfield Park’s renowned conservatory or the impressive golden-domed Garfield Park Field House, the bandstand boasts its unique architectural significance.
Designed by Joseph Lyman Silsbee, a prominent architect of his era and the first employer of Frank Lloyd Wright, the bandstand reflects a masterful blend of revivalist architectural styles influenced by classic designs from India and the Middle East.
Historian Julia Bachrach, who authored “The City in a Garden: A History of Chicago’s Parks,” emphasized the importance of high-quality, beautiful structures in public parks during the late 19th and early 20th centuries.
“Concerts, public free gatherings, and music in the park were integral to Chicago life,” Bachrach noted.
The bandstand is strategically placed in the center of Music Court, a circular drive that once buzzed with activity as crowds gathered to enjoy performances.
In the past, musicians would climb a spiral staircase to reach the top of the marble base to perform beneath the striking copper dome.
As the restoration progresses, there is hope for the return of live music to the bandstand. However, there is currently no specific plan in place for upcoming performances. Fus stated, “Ideally, it would be used for performances again.
We don’t have a plan in place yet, but I envision Music Court circle could easily be closed off for farmers’ markets or public events.
So we’re hoping to work with the community to identify uses.”
The restoration commenced in 2023, faced some delays due to inclement weather, but work has resumed and continues to advance.
The project is being led by MoDE Architects, while Marion Restoration is tasked with rejuvenating the mosaic panels.
Additionally, the upgrades include new plumbing and electrical systems, along with new perimeter paving, landscaping, and an accessible pathway.
A new spiral staircase will also be incorporated inside the structure.
While the Chicago Park District has faced criticism regarding the poor condition of many of its facilities across the South and West sides of the city, the efforts at Garfield Park deserve commendation.
This restoration aims to revive the bandstand’s architectural splendor and facilitate the creation of a well-utilized venue that meets the community’s needs.
As the project nears completion this fall, residents and visitors alike are hopeful for the future of the bandstand and the role it will play in enriching the cultural fabric of the community.
image source from：wbez
