The enchanting tale of ‘Beauty and the Beast’ is captivating audiences once again in Chicago, where the beloved musical has made its return after decades. This production marks the first major tour since the musical debuted on Broadway 31 years ago.
Directed and choreographed by Matt West, this extravagant remount runs through Aug. 2 and promises to dazzle viewers with elaborate staging and stunning visuals. The presentation has been described as having more razzle-dazzle than the Vegas Strip, bringing onlookers a joyful experience that appeals to both children and adults.
At the heart of this classic story is the relationship between the bookish Belle and the Beast, a prince cursed under an enchantment. The musical’s catchy score, created by Alan Menken with lyrics by Howard Ashman and Tim Rice, adds layers to the beloved narrative filled with humor and beautiful melodies.
The story unfolds as the Beast, played by Fergie L. Philippe, must find love before an enchanted rose loses its last petal, and Belle, portrayed by Kyra Belle Johnson, enters the scene. Philippe tactfully portrays the Beast’s transformation from a seemingly menacing figure into one radiating empathy, and his performance in the poignant song “If I Can’t Love Her” showcases his powerful vocal abilities.
Kyra Belle Johnson embodies a strong-willed and intelligent Belle, delivering a memorable rendition of “A Change in Me” that emphasizes her voice’s impressive range. Johnson’s ability to portray depth in her character adds to the overall emotional resonance of the production.
Supporting roles come alive in this production, with Danny Gardner as Lumiere, the candelabra butler, offering a masterclass in physical comedy. He provides laughter and joy that complements his character’s charming antics, while Cameron Monroe Thomas adds glamour and charisma as Babette, the maid turned feather duster.
Kathy Voytko brings a heartfelt touch to the role of Mrs. Potts, a maternal figure in the story who embodies warmth characteristic of the role originally brought to life by Angela Lansbury. The character’s charm resonates strongly with audiences, keeping the spirit of the original vibrant.
Stephen Mark Lukas shines as Gaston, a hilariously arrogant character whose antics bring comedic value throughout the show. Gaston’s dynamic personality, combined with Harry Francis’s energetic portrayal of LeFou, proves to be an entertainment highlight, providing a delightful contrast to the romantic plot.
The choreography under West’s direction is a feast for the eyes, especially during the breathtaking number “Be Our Guest,” which features a captivating blend of dance styles and a spectacular chorus line. This moment stands out as a definitive highlight of the performance, leaving audiences in awe.
The intricate costumes designed by Ann Hould-Ward contribute to the visual splendor of the production. From Mrs. Potts’ teapot-inspired skirt adorned with Eiffel Tower embellishments to Belle’s shimmering yellow ball gown, every detail adds to the overall enchantment.
The set design by Stanley A. Meyer, accompanied by Darrel Maloney’s projections and Natasha Katz’s striking lighting design, creates an immersive experience that seamlessly transitions between Belle’s quaint French village, the foreboding woods, and the Beast’s Gothic castle. The collaboration between set, projections, and lighting establishes a vibrant atmosphere that captivates the audience’s imagination.
As the narrative unfolds, illusion designer Jim Steinmeyer contributes elements of magic, further enhancing the experience. While ‘Beauty and the Beast’ may not offer new insights, it serves as a thrilling escape into a nostalgic world filled with romance, humor, and unforgettable musical moments.
With its captivating score, talented cast, and mesmerizing visuals, this production of ‘Beauty and the Beast’ promises to enchant audiences and may even be poised for a remount on Broadway in the near future.
image source from：chicago
