Directed by Mary Ruth Ralston, the latest production of “Twelfth Night” at the Shakespeare Tavern Playhouse showcases a talented ensemble that brings Shakespeare’s beloved comedy to life. Ralston, a remarkable performer herself, who recently starred in the productions of “Hamlet” and “Dracula,” shines in her direction of this play rich with mistaken identities and romantic entanglements.
The cast includes Alejandra Ruiz and Roberto Mendez, who portray the central twins, Viola and Sebastian, with a striking resemblance that adds depth to the story. Ruiz offers a compelling performance as Viola, capturing the character’s goofiness, spunk, depth, and wit, reminiscent of her previous roles in original Atlanta productions such as “Oh, to Be Pure Again” and “The Pros and Cons of Killing Your Cult Leader.” Her portrayal is both humorous and heartbreaking.
The plot follows Viola, who, after being shipwrecked on the shore of Illyria and believing her brother Sebastian to be dead, disguises herself as a man named Cesario to integrate into society. She becomes embroiled in the romantic pursuits of Duke Orsino (played by Benedetto Robinson), whom she begins to develop feelings for despite her disguise.
Duke Orsino is desperately in love with Lady Olivia (Anna Holland), who is in mourning and has rejected his advances. However, upon receiving messages delivered by Cesario, Olivia soon finds herself captivated by the page’s charm.
The atmosphere within Olivia’s court is lightened by a host of humorous characters, including her drunken relative Sir Toby (O’Neil Delapenha) and his simple-minded friend Sir Andrew Aguecheek (Kenneth Wigley), along with the witty musician Feste (Andrew Houchins) and the cunning servant Maria (Amy L. Levin).
Contrasting this jovial group is Malvolio (Tyren Duncan), the puritanical steward who seeks to eliminate the folly around Olivia. His arrogance and condescension set the stage for a comedic subplot in which the court conspires to make him believe Olivia is in love with him.
Meanwhile, Viola’s brother Sebastian (Mendez) is very much alive, rescued by the affections of a devoted pirate named Antonio (Brewer Kunnemann). This twist leads to a series of humorous misunderstandings and romantic misadventures among the characters.
Under Ralston’s direction, the pacing remains brisk and clear, a feat that allows the audience to follow the narrative even when the characters themselves are often confused.
The production is punctuated by moments of unexpected sensuality, particularly evident in the scene where Feste serenades Orsino and Cesario, filled with an electric tension as they sit close yet refrain from touching. Houchins’ musical contributions, with songs composed by Rivka Levin, elevate the production, infusing a light and romantic atmosphere throughout.
Duncan’s portrayal of Malvolio is a standout spectacle, providing the show’s biggest laughs, particularly in the amusing scene where he alters his demeanor in an attempt to woo Olivia. Holland delivers a vibrant performance as Olivia, reinforcing her command of the stage with confidence and flair.
Across the board, the cast excels, with Robinson embodying the lovesick duke with delightful enthusiasm, and Mendez delivering poignant monologues that resonate deeply as the play concludes.
The production culminates in a powerful and satisfying finish, leaving the audience entertained and exhilarated.
“Twelfth Night” at the Shakespeare Tavern Playhouse has proven to be a delightful experience for theatergoers, running through April 27, with performances scheduled every Thursday through Saturday at 7:30 p.m. and Sundays at 2:30 p.m. Ticket prices range from $25 to $49, making it an accessible option for those eager to enjoy a classic comedy with a modern flair.
For more details and ticket purchases, visit shakespearetavern.com.
image source from：https://www.ajc.com/things-to-do/review-at-least-a-dozen-positives-in-shakespeare-taverns-twelfth-night/CCBDIYO7I5DTDNKYDHQ3LJZLDM/
