As the transition from May to June unfolded this past weekend, Portland’s theater artists and audiences found themselves immersed in a whirlwind of performances, showcasing a rich tapestry of talent and diversity.
One highlight was Kathleen Worley, who is currently starring in the Twilight Theater Company’s production of *The Curious Savage*, running through June 8. She made a rapid switch on June 1 to join fellow actors Bruce Burkhartsmeier, David Meyers, and Vana O’Brien at TOC Concert Hall (The Old Church) for a special performance that featured poems by Charles Jennings accompanied by photographs from former White House photographer David Hume Kennerly, all part of Cygnet Salon’s *Nostalgia Is So Yesterday*.
Earlier that same day, Artists Repertory Theatre hosted a reading of *BlueJay’s Canoe*, a work-in-progress play presented by illioo Native Theatre that dealt with intricate themes of family and community against the backdrop of contemporary struggles, including the COVID-19 pandemic. The scenic design for Profile Theatre’s upcoming *Mother Russia* could be seen beautifully framing the performances behind the actors.
Marta Lu Clifford, co-writer and performer of *BlueJay’s Canoe*, opened the performance with a heartfelt prayer that encouraged empathy and openness from the audience—an apt approach to this poignant exploration of ordinary conversations and human connections.
Set in the Willamette Valley, *BlueJay’s Canoe* artfully intertwines traditional Native narratives with a modern family’s struggles. The plot eloquently addresses how history influences personal experiences, particularly in the context of the hardships brought on by natural disasters and the public health crisis.
Central to the story is teenager Xak, portrayed by Cesar Bastian Galindo, who secures an internship at KMAS Indigenous radio. His boss, BlueJay (played engagingly by Kirby Brown), initially supports Xak’s aspirations but reacts angrily when Xak inquires about an old canoe, indicating deeper familial tensions.
The effects of the lockdown weigh heavily on Xak’s family; his father, Ramόn (Osvaldo “Ozzie” Gonzalez), grapples with teaching via Zoom, while his mother Casscadia (Ronda Rutledge), a doctor, receives body bags that starkly highlight the failures in protective gear amid a healthcare crisis.
Amidst the family’s struggle, Casscadia shares with Xak a story of resilience, illustrating how even poisonous aspects of life can yield nourishment and hope.
The narrative follows the interconnectedness of life during the pandemic, exploring relationships, familial dynamics, and Native traditions that foster healing. A character named Heron (Daye Thomas) flows gracefully through the story, symbolizing connection, much like the river that binds various elements together.
Moments within the play are steeped in poetry, such as when BlueJay likens a fire’s devastation to a herd of horses, capturing the audience’s imagination and reflecting the depth of emotion conveyed by the characters.
Goldie (Clifford), BlueJay’s aunt, adds to this narrative richness with stories of mythical figures like Wolf Woman and Coyote, fostering a dialogue about culture and resilience while maintaining a bond with nature through songs and rhythms.
The cast of *BlueJay’s Canoe* is diverse, with Indigenous actors representing various tribes, alongside actors with Mexican and American backgrounds. This variety contributes to a warm and inviting atmosphere that enhances the play’s impactful message.
Simultaneously, scenic designer Alex Meyer discussed her collaborative approach to designing for *Mother Russia*, emphasizing how the creative process draws inspiration from the script and collective brainstorming sessions.
Meyer recalled her childhood fascination with creating habitats and described how her scenic designs transform theater spaces into immersive experiences that breathe life into characters and narratives.
She highlights the importance of teamwork in crafting the details that enrich the theatrical experience, a sentiment echoed throughout the Portland theater community which she describes as accessible and vibrant compared to larger urban centers.
Meyer’s work has recently been showcased in various productions, including *The Light* and *Sapience*, creating intricate worlds that invite exploration and engagement.
*Mother Russia* is set to premiere at Artists Repertory Theatre, questioning the nature of freedom and the complexities of modern life as two characters navigate their responsibilities in a world of surveillance and aspiration.
The play will run from June 7-22, with previews beginning June 5, continuing the momentum of a bustling theater season.
In addition to *Mother Russia*, other exciting productions are poised to open in June, including *Darcelle: That’s No Lady* at triangle productions!, highlighting the life of drag legend Walter W. Cole, and *The Importance of Being Earnest*, a queer adaptation of Oscar Wilde’s classic at Portland Center Stage.
Sam Shepard’s tumultuous relationship narrative *Fool for Love* unfolds at 21ten Theatre, while *Marvin’s Rescue*, a staged concert reading by Marv Ross, grapples with heartbreak and friendships.
The musical *Bright Star* will be presented at HART Theatre, blending history and redemption through music, while *Paul Robeson* will be explored as part of PassinArt’s Play Reading series, focusing on the civil rights icon’s activism and artistry.
The ongoing production of *Joe Turner’s Come and Gone* at Portland Playhouse has garnered critical acclaim, showcasing the depth of August Wilson’s work and its relevance to contemporary audiences.
Several additional shows, including *The Norwegians*, *Hand2Mouth’s BANNED*, and *Curious Savage* continue entertaining and provoking thought until mid-June.
The Hillsboro arts scene faces a shift as Nik Whitcomb, Bag&Baggage’s producing artistic director, announced his departure for a new career in urban planning, a decision reflecting personal and professional growth.
Meanwhile, Oregon Shakespeare Festival is charting its future with a dynamic 2026 season lineup, featuring a mix of classics and new works, while Experience Theatre Project announces an exciting schedule of immersive plays for the upcoming season.
As Portland’s vibrant theater scene continues to flourish, the community celebrates its diversity, creativity, and resilience, promising captivating performances and heartfelt stories that resonate with audiences this summer.
image source from：https://www.orartswatch.org/dramawatch-a-confluence-of-talent/
