The world premiere hip-hop musical, “Young John Lewis,” is drawing audiences at Theatrical Outfit in Atlanta, promising an engaging exploration of the beloved Civil Rights icon’s life.
The show runs through July 6, combining elements of comedy, history, and heartfelt homage in a unique theatrical experience.
Starring Atlanta native Michael Bahsil as John Lewis, the musical intertwines gospel, soul, and rap to depict the inspiring journey of the man who dedicated nearly 70 years to the Civil Rights movement.
The production features a diverse cast of 10 members, each portraying multiple characters, contributing to a dynamic and fast-paced narrative.
As Lewis first introduces the concept of “good trouble,” his father retorts humorously, comparing it to “cold fire,” evoking laughter from the audience, aware of the phrase’s deep significance associated with Lewis’s legacy.
Critics have drawn comparisons to the acclaimed “Hamilton” due to its hip-hop ambitions and compared it to Tyler Perry’s works, particularly in its soaring musical numbers.
However, while the similarities may be intriguing, “Young John Lewis” establishes its own identity as a compelling tribute.
Though the show faces some technical challenges, including occasional microphone issues and uneven choreography, it remains a heartfelt portrayal.
One significant challenge for audience members may be the references made to notable figures from the Civil Rights movement—many of whom might not resonate with those unfamiliar with the historical context.
The creative team—lyricist Psalmayene 24, director/choreographer Thomas W. Jones II, and composer Eugene H. Russell IV—worked passionately for six years to develop this production in collaboration with The John and Lillian Miles Lewis Foundation.
The story begins with the tragic lynching of Emmett Till, played by Terrence J. Smith, representing a pivotal moment that shaped Lewis’s activism.
Till’s spirit appears at crucial junctures throughout the musical, serving as both Lewis’s moral compass and a reminder of the ongoing struggle for justice.
The narrative spans 13 years of Lewis’s life, capturing the essence of his determination and steadfast nature in the face of adversity.
One poignant moment occurs when a law enforcement officer scoffs at the notion of Black demonstrators being seated at a restaurant’s lunch counter, to which Lewis wittily responds, “That will be fine; we brought our coats,” highlighting his resilience.
The show’s music shines brilliantly in its lively and playful numbers.
In the upbeat track titled “Dear Troy State,” Bahsil delivers an energetic rap addressing his rejection from the school, showcasing his vibrant stage presence and charisma.
A notable performance features a rap battle between Bahsil and Neal Ghant, who plays Stokely Carmichael, bringing contrasting styles that reflect both the preacher-like cadence of Lewis and a more streetwise approach.
Latrice Pace, portraying Willie Mae Lewis, captivates the audience with her powerful rendition of “My Son,” a soul-stirring solo expressing a mother’s deep fears for her son’s safety in an unjust world.
In an effort to broaden its scope beyond a traditional biopic, the musical also delves into the roles of women in the Civil Rights movement and the ongoing dialogue regarding methods of protest—peaceful resistance versus revolutionary action.
Additionally, Sully Brown adds humor as Bobby Kennedy, playfully persuading Lewis to consider a life in politics amidst his struggles.
As the events of the 1960s conclude, Lewis reflects on his place in the movement, haunted by the loss of many of his fellow champions.
In a touching moment, Till’s spirit reminds Lewis, “Don’t let everybody down, John. Remember what happened to me.”
Determined, Lewis replies, “I’m gonna keep making noise. I’m gonna keep on making good trouble.”
This powerful declaration encapsulates his enduring legacy and the ongoing fight for justice.
Ultimately, “Young John Lewis” resonates as a joyful celebration of a remarkable life dedicated to changing the world, reminding audiences of the importance of activism, resilience, and community.
Tickets for the production are priced at $55, with discounts available, and can be purchased for the show running until July 6 at 84 Luckie St.
Leon Stafford, an award-winning journalist with over 30 years of experience covering various topics, recommends this moving tribute to audiences who appreciate the intersection of art and history.
image source from：https://www.artsatl.org/review-theatrical-outfits-young-john-lewis-is-a-fun-way-to-learn-civil-rights-history/
