As the Pixies prepare for their second performance at Encore Theater in just two years, a casual conversation between guitarist Joey Santiago and a fan reveals an interesting connection to legendary artist Tom Jones and the ongoing debate about the Rock and Roll Hall of Fame.
Santiago fondly recalls his experiences watching Tom Jones live in Las Vegas, sharing his enthusiasm for the Welsh superstar’s talent. “He was (expletive) great, just great,” he says, highlighting the excitement of witnessing such a renowned performer.
The discussion takes a turn when the topic shifts to Jones’ eligibility for the Rock and Roll Hall of Fame. A revelation comes as Santiago learns that Jones has yet to be inducted. “Then I don’t feel so bad, because we’re not in, either,” he humorously admits, stressing that he believes Jones deserves a spot in the hallowed halls before the Pixies are considered.
Santiago entertains the possibility of a joint induction, expressing the idea of performing with Jones post-awards as a compelling reason. “That would be awesome,” he laughs, stating, “Right now it seems kind of stupid, but if we get in, I’ll say, ‘This is a smart move!’”
While the Pixies maintain a nonchalant attitude towards potential induction, they remain focused on their world tour, which continues through November, as they approach their 40th anniversary next year. Since their inception in Boston around the same time as iconic bands like Nirvana and Radiohead, the Pixies have carved out their place in music history.
With hits like “Here Comes Your Man” and “Letter to Memphis” making waves on the Billboard Modern Rock Charts, their tracks have also found a home in popular culture, including films like “Fight Club.” Despite their legacy, Santiago revealed that the band has abandoned traditional set lists for their shows over a decade ago.
“We actually don’t have a set list,” he shares. “We just stopped using them, like over 10 years ago. We are way over set lists. Anything goes now.” This unique approach allows the band to offer diverse performances every night.
For their upcoming shows, the focus will be on their 1990 album “Bossanova” and 1991’s “Trompe le Monde,” along with selections from their earlier discography. “The second night will be the general set, which is whatever we want to play,” Santiago explains.
The latest Pixies album, titled “The Night the Zombies Came,” features co-founder Black Francis at the helm of songwriting, with contributions from Santiago on a couple of tracks. Santiago notes the exciting recent change in their lineup, welcoming bassist Emma Richardson as the new backing vocalist.
Since their 2004 reunion after disbanding in 1993, Santiago recalls the initial stages of their comeback, humorously mentioning how he learned about the reunion via fax. The band made their Las Vegas debut at The Joint at Hard Rock Hotel in 2010, marking a new era for the Pixies.
Santiago expresses surprise at the new generation of fans they have attracted over the years, recalling instances of parents bringing their children to see the band. “I see a father come in with his son or daughter and think, god, why are they here,” he chuckles, grateful that their music transcends generations and continues to engage audiences at their dynamic shows.
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