Jennifer Higdon, a prominent figure in contemporary classical music, challenges traditional norms by advocating for melodious, accessible compositions.
Contrary to many composers who equate complexity with artistry, Higdon finds joy in creating music that resonates with both seasoned enthusiasts and newcomers.
She emphasizes that her works, while rooted in traditional melody, harmony, and rhythm, offer a freshness that appeals to diverse audiences.
Her prolific career includes operas, concertos, and chamber music, consistently receiving over 250 performances annually.
At 62, Higdon has garnered significant acclaim, including a Pulitzer Prize and three Grammys, and she relishes the diversity of her audience—ranging from farmers to young girls inspired by her achievements.
In a recent video call from her home studio in Chapel Hill, NC, Higdon reflected on her late entry into classical music, her commitment to supporting women composers, and her upcoming opera, “Woman with Eyes Closed,” premiering this month in Pittsburgh.
Higdon denoted the importance of ‘updating’ the classical music canon, a sentiment she echoed in her past writings for NPR.
She perceives a gradual shift towards inclusive programming in orchestras but acknowledges the persistent challenges faced by many talented composers who are still underrepresented.
Despite criticism or misunderstanding of the term “accessible,” Higdon embraces it, viewing it as a compliment for her mission to make classical music communicative and engaging.
Her unique approach often yields intricate works that belie their perceived simplicity.
This complexity, sometimes dubbed “Higdon Hard” by performers, reflects her belief that music should always offer an engaging experience for both listeners and players.
A significant piece in her repertoire, “blue cathedral,” has been performed over 1,100 times, serving as a personal tribute to her brother.
Higdon speaks to the innate human connection to melody, asserting that its presence is universal, embodying the art of communication we all share.
Her musical journey was unorthodox; she did not engage with classical music until discovering the flute in her mother’s attic during high school, later inspired by John Williams’s score for “Star Wars.”
After undergoing transformative studies with both George Crumb and Ned Rorem, Higdon amalgamated their divergent teachings to establish her unique compositional voice, focusing on artistic truth.
Winning the Pulitzer Prize in 2010 marked a pivotal moment for Higdon, as it made her realize the significance of her contributions to the field.
Throughout her educational journey, she faced gender-related challenges, often sidelined by male peers; nevertheless, she remained steadfast in her pursuit of recognition through her music.
Higdon recalls how at first, many were surprised that a woman could compose intricate pieces like her Concerto for Orchestra.
She remains committed to championing female composers, bringing visibility to the gender disparities within the field and continuing conversations about representation.
While her music reaches diverse audiences, including those with limited exposure to classical music, she highlights the necessity of such inclusivity.
As she prepares for her upcoming opera, based on a significant art heist, Higdon has crafted a compelling narrative journey that emphasizes moral dilemmas through musical storytelling.
The opera will feature three differing endings—an innovative approach reflective of the ongoing mystery surrounding the true fate of the stolen artworks.
Higdon believes art transcends barriers and offers solace, particularly in troubling times, and she hopes to create music that fosters connection and empathy.
With her continuous output of compositions—13 pieces in 2023 alone—Higdon embodies the dedication of a full-time composer, ensuring her works remain relevant and impactful.
Her initiative to self-publish music stems from the need to make contemporary compositions accessible, illustrating her commitment to nurturing future generations of musicians and breaking down financial barriers.
Enriching the American sonic landscape, Higdon channels her diverse life experiences into her music, embracing the power of storytelling within her compositions.
At her core, she believes in the collective effort of the music community, recognizing that creating and sharing art requires collaboration at all levels.
Looking forward, Higdon envisions a more supportive and empathetic artistic village that nurtures both established and emerging talent, understanding art’s potential to transform lives.
Her passion for composition remains undiminished, as she revels in her ability to share stories through music that bridges gaps and speaks to humanity.
image source from：https://www.wrti.org/wrti-picks-from-npr-music/2025-04-25/jennifer-higdon-wont-apologize-for-writing-accessible-music
