Under the direction of Sean Murray, Cygnet Theatre’s latest production of “Oklahoma!” reimagines the classic musical by Rodgers and Hammerstein with a vibrant mix of traditional and modern elements.
Set against the backdrop of a rapidly changing frontier, the story captures the spirited interactions between cowboy Curly McLain and farm girl Laurey Williams, while introducing themes of love, rivalry, and community amidst the challenges of early American life.
The lead roles are brought to life by Michael Louis Cusimano as Curly and Ariella Kvashny as Laurey. Cusimano’s portrayal of the charming and confident Curly has been praised for its charisma and musicality, making him a captivating presence on stage.
Kvashny’s interpretation of Laurey showcases her strength and independence, while also revealing vulnerabilities that add depth to her character. Her vocal performances, particularly in more lyrical moments, reflect the complexity of Laurey’s emotions and decisions.
The dynamic between Cusimano and Kvashny echoes classic Shakespearean themes, drawing parallels to the famous duo Beatrice and Benedick, all while establishing a gripping love triangle with the brooding farmhand Jud Fry, played by Jacob Caltrider.
Caltrider presents a nuanced representation of Jud, balancing both the character’s darker tendencies and his desires for connection. This portrayal lends a level of intensity to the performance, effectively contrasting with the musical’s lighter tones.
One notable moment occurs during a psychologically charged exchange between Curly and Jud, where the tension heightened to a palpable level, captivating the audience to the point that gasps were heard at crucial moments.
The ensemble cast also delivers strong performances that contribute to the show’s heart and humor. Eli Wood impressively embodies Will Parker, whose antics provide comedic relief amidst the unfolding romantic chaos.
Jazzy Genovese’s vibrant performance as Ado Annie energizes the stage, transforming her number “I Cain’t Say No” into an empowering anthem of romantic independence, while Ricky Bulda’s Ali Hakim brings additional comedic elements to the mix with his endearing misadventures.
The choreography by Jill Gorrie effectively melds lively country two-step dances with more intricate moments that hint at the underlying tensions within the narrative.
Moreover, Patrick Marion’s musical direction shines through with a blend of bluegrass influences and classic elements, creating a warm soundscape that supports the choreography and vocal performances effectively.
The musical’s aesthetic is enhanced by Anne E. McMills’ thoughtful lighting design, which uses warmth and shadow to underscore the emotional stakes, particularly during Jud’s more somber moments.
Meanwhile, Mathys Herbert’s minimalist barnwood set design grounds the show in its rural context, while TJ Fucella’s sound design ensures clarity of sound as the production captures the audience’s attention.
The production runs through August 2nd at the Cygnet Theatre in Old Town, proudly marking a significant closing chapter for the venue before it transitions to Liberty Station for its upcoming season.
Tickets and showtime information can be found on the Cygnet Theatre website, inviting audiences to experience this fresh adaptation of a beloved classic.
Overall, “Oklahoma!” is presented as an engaging blend of old charm and new perspectives, showcasing the immense talent of its cast and crew in a celebration of storytelling through song and dance.
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